Harris Savides
Birthday: 28 September 1957, New York City, New York, USA
Harris Savides was born on September 28, 1957 in New York City, New York, USA. He was a cinematographer, known for Zodiac (2007), American Gangster (2007) and The Game (1997). He was married to Medine ...Show More
After working with Gus [director Gus Van Sant], I can't go back to just loving the visuals. On one l Show more
After working with Gus [director Gus Van Sant], I can't go back to just loving the visuals. On one level, I don't want the work to be photographic. But I'd also have trouble doing a comedy, where there's so much that needs to be delivered verbally. It's about having an opportunity to tell the story without words.[2004] Hide
I'm always wary of the fact of making things too beautiful and too photographic. And I tend to shy a Show more
I'm always wary of the fact of making things too beautiful and too photographic. And I tend to shy away from glamorous lighting or, you know, unmotivated lighting. It's very easy to let the form, the technique overshadow the content, so I just wanna be careful of that. I've been to very beautiful movies...some of the most beautiful movies I've seen haven't been very good.[2009] Hide
I think the best cinema is cinema with images and not words. That's the purest form of cinema. The m Show more
I think the best cinema is cinema with images and not words. That's the purest form of cinema. The most powerful cinema I've seen has been cinema that is just images, great images. I mean, that's the trick: To try and tell it cinematically. And that's what makes setting up a scene and doing a scene very difficult. It's really easy - I think what people are taught, is to do these, especially in dialogue scenes, do a two-shot and then go in... - and I try to avoid that all the time. And I try to let it all become one thing. Hide
I light a room and let the people inhabit it, as opposed to lighting the people. It's more organic. Show more
I light a room and let the people inhabit it, as opposed to lighting the people. It's more organic. You want to protect the people you're working with, and there's a constant battle between the best light for their face and the best light for the story. You don't want to get to the point where the audience notices the light.[2004] Hide
Harris Savides's FILMOGRAPHY
as Actor (2)
