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Yash Chopra

Yash Chopra

Birthday: 27 September 1932, Lahore, Punjab, British India [now Pakistan]
Birth Name: Yash Raj Chopra

Labeled the eternal romantic and with one of the best musical senses in the business, Yash Chopra is arguably India's most successful director of romantic films. Although he made action-oriented ...Show More

Yash Chopra
I think songs enhance romance and sometimes, even drama, when you have to comment on a society, like Show more I think songs enhance romance and sometimes, even drama, when you have to comment on a society, like Guru Dutt did in Pyaasa (1957). Songs are a great way of conveying the director's imagination. People in this era don't like to see lip-syncing and prefer songs in the background, but I feel that an emotion can be conveyed better if it comes through the person singing it. Hide
I was in Lahore before the partition, so I don't believe that a border can truly separate Punjab. I Show more I was in Lahore before the partition, so I don't believe that a border can truly separate Punjab. I still think of it as one. Hide
Films have been my only passion in life. I have always been proud of making films and will continue Show more Films have been my only passion in life. I have always been proud of making films and will continue taking pride in all my films. I have never made a movie I have not believed in. However, though I love all my films, one tends to get attached to films that do well. But I do not have any regrets about making films that did not really do well at the box office. Hide
About Veer-Zaara (2004): "Though it's a film about cross-border love, there isn't a word of politics Show more About Veer-Zaara (2004): "Though it's a film about cross-border love, there isn't a word of politics in it. Forget politics, there isn't slap, not even a raised voice in Veer-Zaara (2004). It's a very intense, humane and emotional story. Veer-Zaara (2004) is a humble tribute to my home in Punjab. It's my tribute to the one-ness of people on both sides of the border. Every religion preaches peace. Then why the bloodshed for the sake of religion? Why are we destroying each other?" Hide
There are only two types of cinema - good or bad. There are only two types of cinema - good or bad.
Though, technically, I'm shooting on location, my films are actually based inside a woman's heart. I Show more Though, technically, I'm shooting on location, my films are actually based inside a woman's heart. I think women are more emotional than men, and that's a thread I've explored in all my films. When I see TV these days, I'm shocked at how all the main women characters are portrayed as evil. Women are the foundation of everything, and they deserve to be treated that way on camera. Hide
What is the point of making the film if the man doesn't marry the girl? What is the point of making the film if the man doesn't marry the girl?
Relationships interest me because man is one creature who is capable of sane as well as insane behav Show more Relationships interest me because man is one creature who is capable of sane as well as insane behaviour. It's this nature of human beings that inspires and gives room for innumerable plots. Like in _Daag (1973)_, Raakhee, who played the other woman, created all the drama, as did Rekha in Silsila (1981). In Aaina (1993) it was the jealous sister while in Darr (1993) it was the obsessive lover. So unlike other movies where a villain is added to create the problems, in my films villainy is substituted by a third angle. Hide
My technicians are my most important tools. Once I establish a rapport with them, then they would un Show more My technicians are my most important tools. Once I establish a rapport with them, then they would understand me in my next film. I wouldn't have to train anyone new. I give a lot of respect to all my technicians, because I'm a technician too. I wouldn't be able to convey a feeling if the writer didn't write it well, and the cameraman didn't shoot it well. Hide
The reason for his seven-year hiatus in direction: "My son Aditya made Mohabbatein (2000), which too Show more The reason for his seven-year hiatus in direction: "My son Aditya made Mohabbatein (2000), which took a lot of time and energy. Then we started looking for a script for me to direct. Nothing seemed to excite us both. There's a complete bankruptcy of screenwriting in our cinema. I wanted a very earthy and Indian subject. I was tired of the promos on television. With semi-clad girls, they all looked the same. Of course Dhoom (2004) has them too. But I'd personally not make a film like that." Hide
I'm the sentimental sort. I cry easily. I cry when I see poignant films made by other directors. I'm the sentimental sort. I cry easily. I cry when I see poignant films made by other directors.
I believe in my old style of making films. I think I have it in me to make a different film in my ow Show more I believe in my old style of making films. I think I have it in me to make a different film in my own area of romance. Films on human relationships never go out of fashion. Everyone says 'I love you' these days. But it's about how you say it. Hide
You can always make a good film but for it to be successful, you need God's blessing. You can always make a good film but for it to be successful, you need God's blessing.
I always believe that my films should give some hope to the man who comes to watch them for those th Show more I always believe that my films should give some hope to the man who comes to watch them for those three hours. If he goes home on an optimistic note, I would feel satisfied at having done my duty. Hide
My personal favorites among my directorial ventures are Ittefaq, Daag, Deewar, Kabhie Kabhie, Lamhe Show more My personal favorites among my directorial ventures are Ittefaq, Daag, Deewar, Kabhie Kabhie, Lamhe and Mashaal. Hide
These days, most films are sensible. The young whiz kids are doing a wonderful job. Their films are Show more These days, most films are sensible. The young whiz kids are doing a wonderful job. Their films are different, and most are good. A Wednesday (2008), for example, was a wonderful film. And that's why we are taking a lot of chances at Yash Raj Films, by giving breaks to new actors, directors and musicians. Hide
I've always worked with big stars, but they know that I am only honest to the script. It is my Gita Show more I've always worked with big stars, but they know that I am only honest to the script. It is my Gita and I never changed it to please film stars or their egos. We spend months in writing a film, so I wouldn't like it if someone asks me to change it. That's why I like to finish a film as fast as possible once I start. But as far as performances are concerned, I give full liberty to the artistes. I have full faith in them. Hide
We're making all kinds of films - English, Hinglish, sex, horror... this and that. It's a healthy tr Show more We're making all kinds of films - English, Hinglish, sex, horror... this and that. It's a healthy trend. But for a film to run it has to have Indian values. For a film to be a blockbuster it has to be rooted to our culture. Hide
On singer Lata Mangeshkar: "Lataji has always been so kind to me. She can never say no to me. As lon Show more On singer Lata Mangeshkar: "Lataji has always been so kind to me. She can never say no to me. As long as I am there and she's there she'll continue to sing for my films. When others sing they follow music, but when she sings, music follows her. I truly believe that. When she sang for Dhool Ka Phool (1959) the first film I directed, I was in awe of her. Today I'm much closer to her. But the awe remains." Hide
Yash Chopra's FILMOGRAPHY
All as Actor (4) as Director (1)
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