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Brief Interviews with Hideous Men
A graduate student (Nicholson) copes with a recent breakup by conducting interviews with various men, all sorts of men, trying to unearth the mystery of their bizarre behavior.
2 October 1968, Chicago, Illinois, USA
11 August 1976, Bremerton, Washington, USA
11 August 1974, New York City, New York, USA
6 November 1960, Bethesda, Maryland, USA
10 June 1949, Newport News, Virginia, USA
3 May 1970, Union City, New Jersey, USA
25 February 1976, Los Angeles, California, USA
17 June 1970, Alameda County, California, USA
7 April 1952, New York City, New York, USA
19 July 1983, Texas, USA
4 May 1970, Toronto, Ontario, Canada
2 June 1978, Greenwich, London, England, UK
December 09, 2011
...far more successful as an actor's showcase than as a fully-realized movie...
September 28, 2009
Tthough this experiment doesn't quite succeed, there's enough intelligence and insight in this movie to make it worth the attempt.
November 13, 2009
Krasinski re-creates the interviews using Wallace's original, but this isn't exactly a letter-of-the-law adaptation -- he tightens the interviews and defangs some of the language.
March 19, 2010
Everywhere this poor lady tries to go, there's always a guy or two loudly performing a David Foster Wallace monologue within earshot.
March 25, 2010
John Krasinski takes a distinct, deliberate step away from romantic comedies for a darkly comic look at human interaction.
November 12, 2009
Offers is the opportunity for a bunch of actors, many of them tethered to TV series, to deliver theatrical monologues pulsing with misogyny and narcissism. It's like second-rate Neil Labute.
November 30, 2009
Painfully pretentious and shallow.
September 28, 2009
I worry that this film is static enough and stiff enough that it's going to keep people away from discovering David Foster Wallace if they haven't read him.
September 28, 2009
[Krasinski's] generosity of intent is really the main impression that remains. He read, he loved, and unfortunately, he did not conquer.
July 04, 2010
Faced with the unenviable choice between honoring his daunting inspiration and telling his own story, the director shoots straight down the middle -- and misses both targets.
December 30, 2010
Intense look at gender and relationships is best for adults.