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Design for Living
Playwright Fredric March and artist Gary Cooper both fall in love with Miriam Hopkins, an American living in Paris. Since Miriam cannot decide between the two men, the trio agree to try living together in a platonic friendly relationship.
September 9, 1886 in Bordeaux, France
January 17, 1860 in Columbus, Ohio, USA
19 July 1907, Shoshoni, Wyoming, USA
18 March 1886, Brooklyn, New York City, New York, USA
4 December 1888, Dublin, Ireland
16 May 1882, Glasgow, Scotland, UK
August 21, 1874 in New York City, New York, USA
September 7, 1864 in Paris, France
June 2, 1878 in Paris, France
12 May 1867, Wimbledon, London, England, UK
July 26, 1899 in San Francisco, California, USA
18 September 1882, Santiago, Chile
February 25, 2003
A química entre o trio principal é ótima, mas o roteiro, livremente adaptado a partir de uma peça de Noel Coward, jamais aproveita o potencial de seus personagens.
January 07, 2012
Even when Lubitsch filmed a play by Noel Coward, he still made it his own. Design for Living doesn't feel like a celebrated play; it feels like a Lubitsch movie.
March 15, 2012
It isn't [Lubitsch's] fleetest work, or most sustained, but it has moments of unbridled genius.
August 26, 2009
Welcome to bohemia!
October 21, 2011
An elegant romantic farce that seems heavy-handed when it's meant to be lighthearted.
December 15, 2011
A daring movie that satirizes sexual mores and heaps irony upon irony. If Hollywood tried to remake this movie today, they would probably take the ménage à trois set-up and strip away all the depth.
February 26, 2003
Well, maybe it is a little lumpy for Lubitsch, but I think the film more than holds its own.
July 27, 2011
For Lubitsch, the film would mark the end of his most creative period at Paramount (1929-1933) -- and a fine final bow it is.
March 12, 2013
The "Lubitsch Touch," indeed: edged and between the ribs before you know it's being brandished.
February 03, 2012
The dialogue is sharp without seeming too impeccably perfect to be real human speech.
January 26, 2006
The script galumphs when it should glide.
December 18, 2011
beneath the sublime surface of Lubitsch's best films beats a human heart full of recognizable desires, fears, flaws, and longings, which is precisely what sets his work apart from its sleazier, more mundane counterparts