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Fantasia 2000
A new generation of Disney animators and filmmakers offer an exciting showcase for today's audiences. Adding to the fun and entertainment, celebrity hosts from the various arts appear on screen to introduce each of the segments.
4 May 1944, Cambridge, Massachusetts, USA
April 10, 1958 in Tashkent, Uzbek SSR, USSR [now Uzbekistan]
5 March 1955, Greenfield, Massachusetts, USA
1 December 1945, Honolulu, Hawaii, USA
2 March 1952, Los Angeles, California, USA
15 December 1958, Brazil
22 December 1885, New York City, New York, USA
18 February 1960, Salt Lake City, Utah, USA
29 April 1954, Pittsburgh, Pennsylvania, USA
16 October 1925, Regent's Park, London, England, UK
24 December 1951, Paris, France
23 June 1943, Cincinnati, Ohio, USA
December 05, 2009
A lightweight affair... Despite some momentary flashes of brilliance, this is no successor to the great Fantasia.
March 21, 2001
Whatever its flaws -- from kitschy cupids to racist centaurs -- at least the first Fantasia had a human touch. The sequel seems cold and mechanical by comparison.
March 22, 2002
As with the original Fantasia, the new film is a mixture of artistically respectable and mediocre moments, which for overall ambition and range, has no parallel in the world of contemporary animation.
December 10, 2010
A worthy successor to the original concept, allowing the next generation of animation talent to cut loose. [Blu-ray]
December 25, 2010
Although magnificent and filled with imagination, Fantasia 2000 doesn't hold up as being particularly ground-breaking or innovative.
November 23, 2011
Overall, though, I didn't find it particularly satisfying
September 07, 2008
It provides some fine artists the chance to stretch and frolic, even as it reminds today's audiences of animation's limitless borders.
December 24, 2010
Delightful, but may scare more sensitive kids.
January 26, 2006
This must be the most belated sequel the movies have produced.
August 08, 2001
It's not that the images aren't pretty, or that great care hasn't gone into them -- it's that the sensibility behind them is so icky, limited in its conception of beauty to picture postcards and the sort of paintings you see in chain hotels.
November 16, 2009
The rest of these animated sequences depend on gimmickry, cuteness, or facile ideology.
September 20, 2013
balance in animation styles