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Green Book
Tony Lip, a bouncer in 1962, is hired to drive pianist Don Shirley on a tour through the Deep South in the days when African Americans forced to find alternate accommodations and services due to segregation laws below the Mason-Dixon Line relied on a guide called The Negro Motorist Green Book.
11 August 1966, Kansas City, Missouri, USA
5 July 1954, New York City, New York, USA
1961
6 February 1971, Cleveland, Ohio, USA
December 02, 2018
Green Book is the one film you'll be cheering for at this year's Oscars. Mortensen and Ali are a terrific team.
November 19, 2018
The acting is better than the dialogue, which is better than the plotting. And I have to confess that in the current, insanely divisive political climate, I enjoyed Green Book's spoon-feeding mightily.
November 21, 2018
A heartfelt ode to the bond between two real-life men.
December 03, 2018
Farrelly's pacing is impressive, turning in a whopping 130-minute movie that simply flies by, and never feels too heavy or too long, and never outstays its welcome.
December 03, 2018
Viggo Mortensen was fantastic...I felt like I was looking at a different guy.
December 03, 2018
Initially, the film seems doomed to be an annoying Driving Miss Daisy spin on The Odd Couple. But the stars are far too good for that...
November 21, 2018
A well-meaning but glib and shallow ode to interracial healing.
December 03, 2018
It seems this old-timey salve remains effective with audiences and among the critical set, despite talk of an assumed progressive cultural shift.
November 21, 2018
This is an expertly-acted, perfectly telegraphed message movie that knows the buttons it's pushing, and pushes them all, right on cue. This is not a knock against it, it's a compliment.
November 20, 2018
You watch "Green Book" wishing it were a little better but nonetheless enjoying how very good much of it is, thanks to Mortensen and Ali, who make every moment sing.
November 22, 2018
Green Book is effective and affecting while being careful to avoid overdosing its audience on material that some might deem too shocking or upsetting.
December 04, 2018
Peter Farrelly's film is far more endearing, precise, and tricky than its conventional racial scenario leads one to expect.

