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Halloween
After being comitted for 17 years, Michael Myers, now a 27 year-old man and still very dangerous, escapes from the mental institution and he immediately returns to Haddonfield, where he wants to find his baby sister, Laurie. Anyone who crosses his path is in mortal danger.
20 March 1950, Chicago, Illinois, USA
4 March 1963, Bethlehem, Pennsylvania, USA
1 December 1950, USA
7 June 1955, Bedford-Stuyvesant, Brooklyn, New York City, New York, USA
27 September 1995, San Diego, California, USA
9 July 1984, Denver, Colorado, USA
21 February 1989, Long Beach, California, USA
29 July 1986, USA
October 31, 2009
Modernizing the classic slasher staple, Rob Zombie's film is surprisingly adept.
September 04, 2007
Trick or treat? Rob Zombie's "re-imagining" of John Carpenter's 1978 horror classic Halloween must sadly be consigned to the former category and it's not even a very interesting, suspenseful trick at that.
September 05, 2007
It's a decent diversion.
July 07, 2010
When it comes to Rob Zombie's remake of John Carpenter's Halloween, they don't get any more unnecessary.
November 03, 2012
Anyone can trace a Picasso.
August 28, 2015
Pick the lamest Halloween sequel out there and you've just found a better horror movie than this one.
September 28, 2007
It's inanely-scripted exploitation, sure, but this 'Halloween' doesn't trivialise; it even returns with sympathy to one victim minutes after the attack that has left her bleeding on the floor.
December 15, 2010
Teen slasher flick remake is brutal and bloody.
September 12, 2007
The Batman Begins of slasher movies, and one of the more frightening stabathons of recent years.
September 04, 2007
Contains dialogue so nasty and stupid, you'd swear (right along with the characters) that the booker for Jerry Springer wrote it (Zombie did).
December 12, 2007
The result, though undeniably preferable to yet another misbegotten installment of the long-exhausted franchise, certainly doesn't compare to John Carpenter's landmark original film.
October 07, 2016
Most filmmakers would simply amp up the visual assault for the sake of stirring the minds of desensitized viewers; Zombie is brave enough to depart from the source and take insightful back roads that consider the psychology of the subject.

