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I Give It A Year
It's the story of the duo Nat and the writer Josh who fell in love at first sight at a party. Things turn out perfectly during the first year of marriage where it doesn't go smoothly. Their lives are completely transformed by the temptation and incompatibility that turn their lives upside down
10 November 1955, Bradford, Yorkshire, England, UK
30 January 1974, Norwich, Norfolk, England, UK
24 November 1974, Bristol, England, UK
30 July 1969, Launceston, Tasmania, Australia
13 April 1987, London, England, UK
1974, Berkshire, England, UK
August 30, 2013
The big laughs compensate for the lack of a suitable emotional payoff.
August 13, 2013
It's not romantic in the slightest, and it is quite comedic on occasion, but the parts don't fit together at all.
August 15, 2013
The tonal clash is jarring, and Mazer doesn't help matters by erring on the side of blandness.
September 26, 2013
It's funny, yes, but also depressing, like watching the mating habits of mollusks.
June 29, 2016
Clumsy and cute - that's my concise review of regular Sacha Baron Cohen collaborator Dan Mazer's directorial debut I Give It a Year.
July 14, 2016
Any film that makes Rose Byrne unappealing has its head well and truly up its bum.
August 23, 2013
Mazer's previous onscreen experience is undeniably obvious. No penis is left unfilmed, no crude scene prevented from going on far too long.
May 24, 2016
As long as you can deal with romantic leads who are rather flawed and a more cynical tone than you may expect, you should find plenty to laugh about, offset with the odd grimace.
August 15, 2013
In addition to some trite set pieces, writer-director Dan Mazer serves up nothing more than conspicuous cynicism masquerading as comedy.
August 15, 2013
Can a comedy be too funny for its own good?
September 05, 2013
"I Give It a Year" is a smart farce that would make Hugh Grant and his fans proud.
March 16, 2017
It's a bit of a mainstream comedy, sure, and for that it sometimes feels slight or conventionally paced, but it's packed with more heart and perception than most, and it treats its characters as fully realized people.