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Le Redoutable (Redoubtable) [Sub: Eng]
Description
Paris 1967. Jean-Luc Godard, the leading filmmaker of his generation, is shooting La Chinoise with the woman he loves, Anne Wiazemsky, 20 years his junior. They are happy, attractive, in love. They marry. But the film's reception unleashes a profound self-examination in Jean-Luc. The events of May '68 will amplify this process, and the crisis that shakes the filmmaker. Deep-rooted conflicts and misunderstandings will change him irrevocably. Revolutionary, off-the-wall, destructive, brilliant, he will pursue his choices and his beliefs to the breaking point... As he did with The Artist, Academy Award (R) winning director Michel Hazanavicius delivers another tribute to classic cinema, both wildly funny and deeply moving.
Paris 1967. Jean-Luc Godard, the leading filmmaker of his generation, is shooting La Chinoise with the woman he loves, Anne Wiazemsky, 20 years his junior. They are happy, attractive, in love. They marry. But the film's reception unleashes a profound self-examination in Jean-Luc. The events of May '68 will amplify this process, and the crisis that shakes the filmmaker. Deep-rooted conflicts and misunderstandings will change him irrevocably. Revolutionary, off-the-wall, destructive, brilliant, he will pursue his choices and his beliefs to the breaking point... As he did with The Artist, Academy Award (R) winning director Michel Hazanavicius delivers another tribute to classic cinema, both wildly funny and deeply moving.
Actors:
Michel Subor,
Emmanuele Aita,
Philippe Girard,
Gerardo Maffei,
Félix Kysyl,
Nicolas Berno,
Micha Lescot,
Yvon Martin,
Laurent Soffiati,
Pierre Aussedat,
Margo Blache,
...»
Michel Subor
2 February 1935, Paris, France
Emmanuele Aita
Philippe Girard
Gerardo Maffei
Félix Kysyl
Nicolas Berno
Micha Lescot
Yvon Martin
Laurent Soffiati
Pierre Aussedat
Margo Blache
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![Le Redoutable (Redoubtable) [Sub: Eng]](/dist/image/player/criticsNav.png)
September 14, 2017
Choosing to ignore abuse, and taking away Anne's voice and agency in order to give a fuller view to Hazanavicius' beloved, Le Redoutable becomes much worse than a simple empty pastiche, verging into its own misogyny.
November 28, 2017
Hazanavicius beautifully recaptures the anarchic energy of Godard's iconic early works.
May 22, 2017
Serious cinephiles will likely reject it as glib and disrespectful, while more mainstream viewers could be amused but not that interested.
October 06, 2017
This obsession with humanizing real characters, icons and myths on the screen is reaching troubling limits... [Full review in Spanish]
October 12, 2017
Havanicius sprays his subject with acid wit, and will delight cinéastes with several cunning pastiches of Godard's film-making style, though it's difficult to imagine that the venerable auteur, now 86, will see the joke.
October 30, 2017
On the whole Redoubtable offers its audience way more than they bargained for with its genuinely impressive period representation of the events of 68, but it is ultimately let down but not quite knowing what it wants to be.
May 24, 2017
Le Redoutable is a jokey Wikipedia cartoon of a biopic, skin deep in its character study and aggressively amused by its own barrage of Trivial Pursuit winks.
October 09, 2017
... Redoubtable fails on its own terms, falling short of the basic task of generating cinematic excitement and interest even out of the historic events which are more than the background to its story.
May 22, 2017
A lightly audacious and fascinating movie (if not exactly one to warm your heart) ...
December 29, 2017
Although it's probably not the film hardcore Godard fans wanted, Redoubtable is a funny, paint-by-numbers biopic about a man who revolutionized cinema as we know it, and remains a significant attempt nonetheless.
May 24, 2017
The main triumph of Hazanavicius' film is that it makes [Godard] human.
November 14, 2017
Reducing Godard to an advertising colour palette of primary reds and blues, Le Redoubtable is a crude, pointless exercise with no comprehension of Godard's filmmaking, cinema history, or, indeed, life itself.