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Lost Highway
After a bizarre encounter at a party, a jazz musician (Bill Pullman) is framed for the murder of his wife and sent to prison, where he inexplicably morphs into a young mechanic (Balthazar Getty) and begins leading a new life.
9 August 1930, Austin, Texas, USA
31 July 1958, Dallas, Texas, USA
1 September 1952, Kansas City, Missouri, USA
22 July 1948, New York, New York, USA
29 June 1944, Goose Creek, Texas, USA
22 January 1975, Los Angeles, California, USA
28 October 1969, Georgetown, Washington, District of Columbia, USA
6 March 1935, Brooklyn, New York City, New York, USA
22 May 1946, Philadelphia, Pennsylvania, USA
May 28, 2006
Ambicioso do ponto de vista narrativo e fotografado de forma sombriamente evocativa, o filme merece créditos por acreditar na inteligência do espectador, mas acaba parecendo um exercício para o superior Cidade dos Sonhos.
July 11, 2008
Its demented darkness actually coallesces into a strange kind of giddy joy - not unlike the rush of adrenaline one feels after a brush with danger.
August 20, 2009
Here, the road leads nowhere in particular; what you pay for is the ride.
August 07, 2006
With the hindsight of Mulholland Dr, the film is a lot more intelligible, with plenty of Lynchian themes in full blossom and a handful of excellent performances.
January 24, 2007
The film begins promisingly, when a young couple gets paranoid over intrusion into their home, before turning into a bizarre yarn that many viewers will find confusing; even so Lynch's direction is mesmerizing from start to finish.
March 11, 2008
Mesmerizing yet cold and remote -- an exotic fish we can't touch.
February 21, 2014
Beyond subversive and downright ahead of its time.
October 29, 2006
It's one of the downright spookiest films I've ever seen, and it gives me chills just to recall it.
January 02, 2011
Strange, disjointed; full of sex and violence.
July 31, 2008
What Lost Highway lacks in originality--compared to the rest of Lynch's oeuvre--it regains when compared to anyone else's films.
January 01, 2000
Visually arresting, the movie does keep you going until the finale confirms suspicions that Lynch has painted himself into a corner.
April 01, 2008
It's pensive male anxiety, and for some cultural reason it's easier for audiences to accept female hysteria than the insecurities of men.