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Love in the Afternoon
In this film. there is a French private investigator called Claude Chavasse. In this mission, Claude try to discover his client's wife who has been having an affair with an American playboy, Frank Flannagan. Things will turned into another waym where Claude is hired to entrap Frank in his mission but everything will change when his daughter falls for Frank too.
May 11, 1904 in Nointot, Seine-Inférieure [now Seine-Maritime], France
May 23, 1938 in Brentford, London, England, UK
30 November 1925, Néris-les-Bains, Allier, France
5 November 1913, New York City, New York, USA
January 23, 1913 in Paris, France
May 23, 1929 in Mary-sur-Marne, Seine-et-Marne, France
22 February 1925, Cormeilles-en-Parisis, Val-d'Oise, France
3 June 1902, Paris, France
January 29, 1933 in Paris, France
February 2, 1935 in Dortmund, North Rhine-Westphalia, Germany
May 23, 1938 in Brentford, London, England, UK
July 13, 2014
Much nearer the bottom of Wilder's career than the top.
September 29, 2005
It's the closest Wilder ever came to Ernst Lubitsch.
March 18, 2007
It was hard to get excited about such an overlong dreary tale, where Cooper was miscast and the champagne fizzles.
August 15, 2007
Love in the Afternoon had great locations going for it. It also had the winsome charm of Hepburn, the elfin puckishness of Chevalier, a literate script by Wilder and Diamond, and an airy feeling that wafted the audience along.
August 15, 2007
As Andrew Sarris says, not without its cruelties, but not without its beauties as well.
May 13, 2006
It's quite long, Hepburn sports one of her worst hairstyles, and Cooper and Hepburn's glaring age difference (28 years) is distracting, but this is a wonderful, charming romantic comedy nonetheless.
June 24, 2006
An over-long and only spasmodically amusing romantic comedy...
January 01, 2000
This film was produced by Mr. Wilder for Allied Artists -- in black-and-white. It is a hit.
February 03, 2009
The production holds enchantment and delight in substantial quantity.
December 14, 2008
Though not as charming or touching as Sabrina, Wilder's 1957 romantic comedy teams Gary Cooper and Audrey Hepburn and serves as a good star vehicle for both.