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Miami Vice
This story tells about a range of issues that are more criminal. This story begins with the case involving the drug and murder princes in South Florida, a turning point for secret informers Sony Crockett and Ricardo Tapas. It seems that the lives of these personal and professional become tangled dangerously where things seem to be wrong.
9 June 1968, Stepney, London, England, UK
May 8, 1968
20 March 1950, Chicago, Illinois, USA
January1978, Recife, Pernambuco, Brazil
10 March 1978
10 August 1971, Washington, District of Columbia, USA
July 28, 2006
The movie isn't perfect, but it's good enough, and better than most. It should keep us occupied until the big screen version of The Apprentice comes along.
August 03, 2006
I enjoyed Mr. Mann's new Miami Vice from its first ravishing frame to the last, but I can't say that very much of it made sense -- but then, neither do the daily headlines.
April 29, 2009
[Michael Mann's] remake of his own property is dull, cliché, routine, and pointless.
April 08, 2011
Miami Vice isn't a particularly accurate translation of the show - and depending on your point of view that could be good or bad - but it is a stylish, if uninspired, crime thriller.
December 17, 2013
Mann's folly is the best show in town.
August 07, 2006
Mann is the master of nighttime digital photography, and he fills the screen with stunning images and some intricately choreographed shoot-out scenes that I just loved.
July 01, 2009
Perhaps the first Michael Mann film to almost completely lack a human element; or rather, the human element it possesses is thin and unconvincing.
August 05, 2006
Miami Vice isn't perfect, but it is perfectly mesmerizing.
August 03, 2006
It's business as usual for Mann. Truly terrific.
October 07, 2006
This somber action picture bravely defies expectations and gives us something wholly new.
June 14, 2015
Painterly scumble... dimly illuminated night settings. Miami Vice is Mann's usual triangulation of Nietzsche, linen-edge designers like Ozwald Boateng and distinguished painters of geometric abstraction, like the great Richard Diebenkorn.

