Something went wrong
Try again later.
My Blueberry Nights
After a rough break-up, Elizabeth takes a soul-searching journey across America to resolve her questions about love while encountering a series of offbeat characters along the way.
Scala!!! Or the Incredibly Strange Rise and Fall of the World's Wildest Cinema and How It Influenced a Mixed-up Generation of Weirdos and Misfits
21 January 1972, Atlanta, Georgia, USA
13 May 1978, Moscow, Russian SFSR, USSR [now Russia]
25 March 1977, Haverford, Pennsylvania, USA
11 September 1956, Memphis, Tennessee, USA
September 17, 2008El director de Con ánimo de amar y 2046 se traslada con éxito a Estados Unidos, donde filma una historia de amor sugestiva, íntima y encantadora.
April 18, 2008Only in flashes does Wong Kar-Wai let you forget about the relentless, meticulous beauty long enough to lose yourself inside it.
April 25, 2008Fans of Chinese director Wong Kar Wai's dreamy, romantic films will find My Blueberry Nights a luscious treat, although newcomers to his world of sensuous longing will no doubt wonder what all the fuss is about.
September 19, 2008That's another thing about Wong: even when you're not quite sure what he's trying to say, or if he actually has anything to say, you get your money back in the beauty with which he says it.
April 04, 2009a languorously slow-baked affair
August 24, 2009Three years after 2046, Wong Kar-wai is not in love any more--and I for one am happy for him.
May 09, 2008The casting problem starts with the movie's lead, Norah Jones.
October 18, 2008It's a middling sort of experience at the movies.
May 02, 2008It's not the pie that is meant to make this watchable, it is Wai's greatest gift, observing people, little slices of life in New York, Memphis or Nevada. Unfortunately in this case, those slices don't add up to a meal, or even dessert.
April 25, 2008The bad news about My Blueberry Nights is that it feels like an exaggeration to call it an actual movie.
May 09, 2008[A] flaky disaster.
August 26, 2009The too-neat screenplay doesn't allow for nearly as much improvisation as Wong's earlier Hong Kong reveries, but this impressionistic canvas is still profoundly sensuous and floridly vulnerable