Due to a high volume of active users and service overload, we had to decrease the quality of video streaming. Premium users remains with the highest video quality available. Sorry for the inconvinience it may cause. Donate to keep project running.
We are currently experiencing technical difficulties with our servers. We hope to have this resolved soon. This issue doesn't affect premium users.
Get Premium
Watch on MixDrop/MyStream
Oops...
Something went wrong
Try again later.
Something went wrong
Try again later.
Here You can choose a playback server.
Operator (2016)
Description
A programmer and a budding comedian are happily married until they use each other in their work to create the perfect call center program. However, the husband begins replacing his wife with an ideal computerized replica.
A programmer and a budding comedian are happily married until they use each other in their work to create the perfect call center program. However, the husband begins replacing his wife with an ideal computerized replica.
Actors:
Nancy Daly,
Kate Johnson,
Christine Lahti,
Cameron Esposito,
Leah Urzandowski,
Caroline Kwan,
Abigail Boucher,
Trevor Dawkins,
Tim Hopper,
Sharon Greene,
Kate Cobb,
...»
Nancy Daly
Kate Johnson
Christine Lahti
4 April 1950, Birmingham, Michigan, USA
Cameron Esposito
17 October 1981, Chicago, Illinois, USA
Leah Urzandowski
Caroline Kwan
Abigail Boucher
Trevor Dawkins
Tim Hopper
Sharon Greene
Kate Cobb
Director:
Logan Kibens
Logan Kibens
Country:
United States
COMMENTS (0)
Sort by
Newest
Newest
Oldest
YOU MAY ALSO LIKE
November 16, 2016
Operator is sleek, stylish, and downright honest.
November 16, 2016
Emotionally engrossing if not 100% persuasive in its last act, it balances techno-alienation and warmth in ways that will resonate with art-house audiences.
November 17, 2016
See it because it's uproarious and lyrical and (aha) human.
November 10, 2016
Smart and compelling analysis of self-medication in the age of digital manipulation.
February 07, 2017
Begins as a very funny comedy, but its two lead performances (including the best work of Whitman's career) carry the film to uncommon insight into how we relate, emote and will always need the spontaneity of the human experience.