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RocknRolla
A shady land deal leaves every schemer in the city determined to get rich or die trying. While the city's seasoned criminals vie for the cash, street-wise hustler One Two tries to play both sides of the fence...
31 January 1968, Watford, England, UK
10 September 1968, Hatfield, Hertfordshire, England, UK
15 September 1977, Hammersmith, London, England, UK
5 August 1963, London, England, UK
20 February 1983, London, England, UK
28 May 1979, London, England, UK
1979, Bermondsey, London, England, UK
July 03, 2009
'RocknRolla' takes more left turns than imaginable. It might make sense in the mind of Guy Ritchie, but to the rest of the universe, I can not imagine the film will translate.
October 31, 2008
As in other Ritchie films, RocknRolla attempts to depict a world of ever-expanding chaos. But the chaos is only in the way the story is told. The actual vision Ritchie offers is pedestrian and tame.
October 31, 2008
Style is what RocknRolla is all about. And it has it in spades, from the cockney Pulp Fiction dialogue to the music-video editing of the rambling narrative.
August 01, 2009
An over-long mish-mash of scarcely linked sub-plots...
December 17, 2010
It's all about the set-up and not the actual payoff.
October 21, 2014
So this is Guy Ritchie's big comeback? Huh.
November 10, 2008
Guns, gangsters, and Richie's unique style and tone make his latest picture just plain fun.
August 30, 2009
RocknRolla is a return to form, of sorts, for Mr. Ritchie. ... The British director has returned to familiar territory, that of the small-time hood.
October 31, 2008
Ritchie, who shoots and cuts everything in RocknRolla like an ad for a particularly greasy brand of fragrance for men, delivers the beatings and killings in his trademark atmosphere of morally weightless flash.
October 31, 2008
RocknRolla is a recovery from the knockout blows of his past two films but Ritchie is certainly retreading familiar thematic territory.
November 10, 2008
This is a wonderful movie.
November 16, 2014
As ever with Ritchie, RocknRolla is more flash than substance, but beneath the swagger his movie scratches away at British anxieties.