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The Chronicles of Riddick
5 years after Pitch Black, the wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
19 October 1969, Christiana, Jamaica
28 May 1982, Paris, France
9 December 1934, York, North Yorkshire, England, UK
28 March 1966, Montréal, Québec, Canada
22 March 1963, Fort St. John, British Columbia, Canada
7 July 1971, Edmonton, Alberta, Canada
3 February 1975, Edmonton, Alberta, Canada
September 29, 2006
Riddick is a loner, Dottie, a rebel. He's a simple man, like Pee-Wee Herman, who is not concerned with getting the girl. But, unlike Pee-Wee, poor Riddick doesn't even have a bicycle for companionship.
June 11, 2004
The muddy, convoluted story revolves around the star's cool-guy poses and one-liners.
June 14, 2004
The Chronicles Of Riddick is never dull, but it's far, far, far too pretentious.
August 07, 2008
Twohy gives the film a vehement comic-book energy, and the eye-popping production design by Holger Gross is like Boris Vallejo's Greatest Hits come to life.
April 29, 2009
There are many plot holes, an inappropriately overly complicated plot, and a lot of pointless aspects that never even bother to make the least bit of sense.
December 28, 2010
Very violent, brainless explosion movie.
June 17, 2004
With writer-director David Twohy's mega-budget follow-up to his Pitch Black, what was once a purring engine has become a gas-guzzling, accident-prone Humvee.
March 30, 2009
Vainly attempts to elevate Riddick into a mythological hero in a political-intrigue contest meant to be Dune in an action context, though it's a lot more like Stargate in a crap context. [Blu-ray]
June 15, 2004
A preening outer-space costume drama staged as a backdrop for its leading man's muscles.
June 12, 2004
I enjoyed it immensely, but not because it was any damn good.
February 09, 2006
The sequel baton pass at the finale is pretty nifty, but it's surely asking too much to think the filmmakers could leave us wanting more. Come to think of it, much, much less would have been best.
September 11, 2013
Makes absolutely no sense in its theatrical cut and still feels awfully messy in Twohy's director's cut.

