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The Last House On The Left (1972)
During their way to the big city, in order to attend the party of their favorite rock gang, Mary and Phyllis, two young teenager girls, have been hijacked by a dangerous criminal who has been recently run away from prison, as he takes them into the woods, where he begins to torture them brutally.
19 January 1936, Manhattan, New York City, New York, USA
6 March 1946, Brooklyn, New York, USA
20 March 1965, New Castle, Pennsylvania, USA
18 June 1951, Westport, Connecticut, USA
22 January 1939, Fairfield, Connecticut, USA
13 October 1951, Brooklyn, New York, USA
19 September 1936, New York City, New York, USA
23 August 1948, Charleston, West Virginia, USA
September 26, 2007
Sartorially dated certainly, but still powerful, disturbing and raw.
February 13, 2016
It's pretty to look at and ugly to digest.
October 23, 2004
A tough, bitter little sleeper of a movie that's about four times as good as you'd expect.
September 26, 2007
An ugly, disturbing, passionately conceived cult favorite, Last House on the Left is much more complex (albeit crudely made) than its controversial reputation would suggest.
September 27, 2011
A depraved exploitation film specifically designed to shock and repulse viewers...also a cultural artifact reflective of and reactive to the time it was made... [Blu-ray]
June 13, 2013
A piss poor horror film with terrible production qualities.
February 09, 2006
Craven's cold, flat style of filming emphasises the fact that the violence dehumanises not only the victims but the aggressors.
March 13, 2009
The exceedingly low-rent production values subsequently ensure that the more overtly horrific elements within Craven's script often fall completely flat...
May 09, 2005
The party who wrote this sickening tripe and also directed the inept actors is Wes Craven.
October 19, 2016
Indelibly scummy, Wes Craven's freshman shocker is less a rip-off of The Virgin Spring than a purposefully degraded update, with the medieval barbarism of the original cannily transplanted to Vietnam-era America.
September 26, 2007
It isn't artistically adroit, but if success in this genre is counted by squirms, it's a success.
July 05, 2015
[Its] indictment of the human capacity for hatred and violence is nothing next to its status as a long lost Keystone Kops feature cut together with the world's worst folk musical.