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The Price of Everything
It is a real look around the world of art and drawing paintings are displayed in dramatic form through this film the most powerful and realistic. The film shows a realistic look in the world of contemporary art, which carries a mirror that reflects our values and times in the form of paintings and how to sell and buy them.
May 4, 1958 in Reading, Pennsylvania, USA
1962 in Tokyo, Japan
December 22, 1960 in Brooklyn, New York City, New York, USA
August 28, 1957 in Beijing, China
October 22, 1925 in Port Arthur, Texas, USA
February 9, 1932 in Dresden, Saxony, Germany
15 May 1930, Augusta, Georgia, USA
October 31, 2018
The uneasy relationship between art and money... is explored with wit and verve...
October 17, 2018
Look, the film seems to say, and take from it what you will-but make sure you catch all the detail, because it's not as simple as it seems.
October 25, 2018
Kahn is a quiet filmmaker, and he gently prods his sources to go beyond the typical art world hyperbole of "gorgeous" and "wonderful."
November 06, 2018
The wide ranging perspectives of painters, collectors, dealers and gallery owners makes for a thought-provoking and unexpectedly moving film with the potential to attract both a specialist and a more general audience.
November 13, 2018
Incisive and amusing
November 14, 2018
The film is cheery, disorientating, witty, bleak, dizzying.
November 12, 2018
An intelligent film, 'The Price of Everything' is also very funny - usually on purpose, though some of the art is ridiculous.
November 13, 2018
Any insight into the mysterious world of contemporary art is worth watching.
October 26, 2018
The implicit castigation the documentary has to offer is hard to miss. So is the sense of overriding fascination. Is it possible to cast a cold eye if the look being given is so wide-eyed?
October 19, 2018
A scrappy documentary on the increasingly currency-focused machinations of the art world.
November 12, 2018
Nathaniel Kahn lets the contemporary-art market shoot itself in the pedicured foot. But not everything worth saying needs to be articulated in this highly polished documentary-a beautiful piece of representational art, as it happens.
November 15, 2018
Cool and nominally neutral, there is nonetheless a genius use of one scene from Martin Scorsese's grim and glossily-reproachful The Wolf of Wall Street that makes the director's feelings on the subject crystal clear.