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Three Colors: White
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Three Colors: White
CRITICS OF "Three Colors: White"
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Groucho Reviews
Resource

December 31, 2011

Karol Karol embodies his homeland, going for broke--in criminal fashion, if necessary--to stake its claim as a player in the European landscape. [Blu-ray]
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Chicago Sun-Times
Resource

January 01, 2000

White is the anti- comedy, in between the anti- tragedy and the anti- romance.
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New York Times

August 30, 2004

How could the creator of Blue, the story of a woman who grieves by moping around Paris in a chichi haircut, possibly have followed it with such a rich, light-handed marvel?
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Film4
Resource

August 09, 2012

Kieslowski's film is one of the great film comedies. Sure, it's the light relief of the Three Colours trilogy, but its sharp observations about human nature are every bit as telling.
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Guardian
Resource

August 09, 2012

A bleak but ultimately hopeful comedy which, if it hadn't got to be called White, might very well be dubbed Black.
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Antagony & Ecstasy
Resource

September 05, 2013

As probing and meaningful as any arthouse hit of the '90s, lacking only the drama and mystical qualities of Blue and Red to overtly flag itself as such.
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Variety

March 26, 2009

The entertaining second seg of Krzysztof Kieslowski's Three Colors trilogy is involving, bittersweet and droll.
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Empire Magazine
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August 09, 2012

The least favourite of the trilogy, this is also arguably the most accessible.
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Time Out
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February 09, 2006

It's often cruel, of course, and cool as an ice-pick, but it's still endowed with enough unsentimental humanity to end with a touching, lyrical admission of the power of love. Essential viewing.
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Salon.com
Resource

June 12, 2002

Kieslowski, who so keenly satirized the crippling excesses of communism in his earlier work, unflinchingly has a go at training-wheels capitalism, but not without affection for the thawing tundra of his beleaguered mother country.
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Chicago Reader
Resource

August 09, 2012

he love that figures centrally in White appears more as a postulate than as a realized fact. To achieve something more durable and persuasive, real characters are required, not allegorical stick figures.
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Seanax.com
Resource

January 13, 2017

[T]his is the comedy of the trilogy, not so much a black comedy as a wicked satire in the cold white light of Polish winter, which (as you would expect) informs the color palette of this film.
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