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Vampire's Kiss
After an encounter with a neck-biter, a mentally-ill publishing executive thinks that he's turning into a vampire. Therefore, he goes out and buys a set of real fangs. Then the chaos begins.
13 April 1959, Memphis, Tennessee, USA
9 August 1961, New York City, New York, USA
7 July 1965, Bronx, New York, USA
3 November 1968, Vancouver, British Columbia, Canada
30 August 1939, Ocala, Florida, USA
8 October 1950, Brooklyn, New York, USA
27 January 1911, New York City, New York, USA
12 February 1963, Boston, Massachusetts, USA
29 April 1958, USA
January 01, 2000
You're not exactly sure if the material is meant to be funny or is laughable merely by default.
May 20, 2003
The film is dominated and destroyed by Mr. Cage's chaotic, self-indulgent performance.
October 21, 2006
Undeservedly dismissed by most critics, this original film, whether taken as a straight horror yarn or as a psycho-erotic nightmare, mixes elements of fable and satire in a startling manner.
September 16, 2008
What truly distinguishes the movie is Cage's performance, which is so off the wall that even if you don't like it you have to watch in awe.
September 16, 2008
An odd blend of bitter comedy and genuine horror.
September 16, 2008
What really makes this worth seeing is Cage's outrageously unbridled performance.
April 09, 2007
For pure, undiluted Cage-osity, Vampire's Kiss is the film to beat.
June 24, 2006
Bierman's striking first feature leaves one trembling between corrosive laughter, edgy terror, and a residual sadness at Loew's pitiful plight.
June 06, 2001
What this movie needs isn't criticism, it's more like a stake through the heart.
September 16, 2008
Problem is that Cage's over-the-top performance generates little sympathy for the character, so it's tough to be interested in him as his personality disorder worsens.
April 13, 2015
As Vampire's Kiss unspools, the lead character, Peter Loew (Cage), wavers in and out of this accent and a wide variety of voices, seeming to give every role Cage has ever played (or would ever play, past, present and future) equal vocal time in the film.