EPISODE
Go On - Season 1
An irreverent sportscaster, pressured by his boss to join a support group because he can't move forward after the death of his wife, finds connection with the extremely varied members.
23 July 1968, Stockbridge, Massachusetts, USA
9 October 1969, Brooklyn, New York, USA
25 August 1973, Carbondale, Illinois, USA
16 June 1934, Cleveland, Ohio, USA
25 December 1978, Rio Claro, São Paulo, Brazil
9 May 1984, USA
31 October 1976, Dallas, Texas, USA
September 11, 2012
As much as I laughed during the pilot, I also received goosebumps during some of the more heartfelt moments that occurred.
September 11, 2012
Go On obviously won't be off the charts ratings-wise, as Friends was for most of its run. It might settle in, though, with Perry still a solidly capable comedic actor looking to nest a while.
September 11, 2012
Beneath its estimable comic trappings, Go On is something larger: a meditation on what makes life worth living.
September 11, 2012
I find myself laughing quite a bit.
August 26, 2018
By the end I was convinced that the joke is actually on us, that in order to empathize with these people they had to make you depressed with the wasted potential in the pilot.
October 19, 2018
Thank you, NBC, for banking on some commercially sustainable percentage of us to be grown-ups. The bad news? You've hedged. It's as though you've said yes to death so long as everything around that death is comforting and derivative.
September 11, 2012
Go On had better do more to support Perry or this will go down as a terrible waste of his talent.
September 11, 2012
Perry embraces what we all loved about Chandler (cynicism, sarcasm, and heart) and takes it in a new direction.
September 11, 2012
Go On gives Matthew Perry fresh material that suits his style: bemused, exasperated, impatient, quick, droll, hiding something.
September 11, 2012
The ensemble is talented, but there's no heart.
September 16, 2013
Silveri aims so hard to please that he ends up missing the target entirely.
February 20, 2020
[I]t's a promising premise that's wasted on too many weird Matthew Perry faces and unfunny pop culture references to ever become anything meaningful or entertaining.