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Franco Nero
Birthday: 23 November 1941, San Prospero Parmense, Emilia-Romagna, Italy
Birth Name: Francesco Clemente Giuseppe Sparanero
Height: 180 cm
Blue-eyed and well-built Italian actor in international cinema, Franco Nero, was a painting photographer when he was discovered as an actor by director John Huston. He has since appeared in more than ...Show More
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[to Tomas Milian after being asked why he was wearing heavy make-up for Vamos a matar, compañ Show more
[to Tomas Milian after being asked why he was wearing heavy make-up for Vamos a matar, compañeros (1970)] You know why? Because when I am very old, when I am fifty, the audience will always see me in the same way. I will look like I never aged because I'm going to be an actor forever. Hide
[on his two-month stint at acting school] They wanted to *teach* me to act. But to act is natural. I Show more
[on his two-month stint at acting school] They wanted to *teach* me to act. But to act is natural. It is ten percent acting and ninety percent being smart. Hide
on 11/27/1978] I was working as a set photographer on [Dino De Laurentiis'] The Bible: In the Beginn Show more
on 11/27/1978] I was working as a set photographer on [Dino De Laurentiis'] The Bible: In the Beginning... (1966). Director John Huston had seen a photo of me and said, "That's the face I want". Hide
[to L.A. Times columnist Roderick Mann] If you're a big Hollywood star, you make one movie a year at Show more
[to L.A. Times columnist Roderick Mann] If you're a big Hollywood star, you make one movie a year at the most. I can make five in Europe. Hide
I am the busiest actor. Why? Because an actor either decides he wants to be a star and play the same Show more
I am the busiest actor. Why? Because an actor either decides he wants to be a star and play the same role over and over, or be an actor and change all the time. Hide
[interview in Toronto Globe and Mail, 11/12/1982] I would speak to Vanessa's [Vanessa Redgrave] fath Show more
[interview in Toronto Globe and Mail, 11/12/1982] I would speak to Vanessa's [Vanessa Redgrave] father [Sir Michael Redgrave], or Laurence Olivier or John Gielgud, and they told me that, at a certain point, I had to make a choice. I could be a star and maybe make lots of money, or I could change roles all the time and have a more interesting--and longer--career. People will criticize you, they said, but if you keep changing, you'll win in the end. Hide
[on the cultural impact of Django (1966)] I had no idea it would turn out to be so special. It wasn' Show more
[on the cultural impact of Django (1966)] I had no idea it would turn out to be so special. It wasn't just a success; it was a phenomenon. Everywhere I go people shout "Django" at me. Even today, as I am working in Brazil, kids call me Django. In Japan, they won't even put my name on movie posters, they put "Django". In Germany, they call all my movies "Django"; I did a great movie about the Sicilian mafia [Il giorno della civetta (1968)] and they called it "Django in the Mafia". [Il cacciatore di squali (1979)] they called "Django Django". They say: "Well, it's your problem." Hide
Franco Nero's FILMOGRAPHY
as Actor (62)
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Gen. Ramon Esperanza
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Uncle Topolino
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Cole
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Ditob
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Amerigo Vessepi