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Mechanic: Resurrection
Master assassin Arthur Bishop (Jason Statham) must save the woman (Jessica Alba) he loves from deadly kidnappers who force him to travel the globe to complete three impossible assassinations, and do what he does best, make them look like accidents.
5 March 1963, New York City, New York, USA
6 August 1962, Ipoh, Perak, Malaysia
14 July 1971, Auckland, New Zealand
17 September 1975, Smolian, Bulgaria
August 26, 2016
When it comes out on home video, fast-forward to the stunts. You won't miss a thing.
August 26, 2016
There's some pleasant globe-trotting - Brazil to Thailand to Australia to Bulgaria - and a lot of over-the-top fights. But don't be surprised if after a few rounds, you find yourself wishing for the bell.
September 29, 2016
A film where Jason Statham demonstrates once again that he has what it takes to be a modern action hero: few words and lots of action.. [Full review in Spanish]
October 05, 2016
Bishop's sudden rebellion trying to short-circuit the progression of the argument through kicks and punches, and final boss Tommy Lee Jones are the two gems of this film.
October 05, 2016
'Mechanic: Resurrection' is a narrative loop, with (supposedly) spectacular scenes that run out of fun from the beginning. [Full review in Spanish]
August 26, 2016
For an actor who, with the "Transporter" films, once imbued the action genre with a new sense of possibility and winking sophistication, Mr. Statham is on cruise control.
September 30, 2016
Unnecessary second-shot Mechanic: Resurrection, playing like a third-rate remake of Bond scenes, can't resurrect the ghost of a thrilling action sequence, the spirit of a high-calibre assassin adventure, even the faintest whiff of originality.
August 26, 2016
I was really looking forward to Mechanic: Resurrection. Shame on me.
August 26, 2016
This sequel carries forward only two ideas: that gimmick-y "assassinations that look like accidents" are a valid substitute for story, and that Jason Statham can carry an action movie even when it is propped up on such wobbly legs.
September 01, 2016
Digital photography, with its limited ability to capture rapid movement, renders the close combat choppy and disorienting, and none of the kills is especially memorable.
March 03, 2017
A brainless entertainment film, absurd, aware of its own ridicule and, most important of all, well done. Thanks, Statham and company. [Full review in Spanish]