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Oculus
Oculus starring Karen Gillan, and Brenton Thwaites follows two siblings who are devastated with the demise of their parents as they try to grow through the years they seem to unravel the truth about the tragedy.
31 October 1978, California, USA
14 August 1999, Newport Beach, California, USA
28 February 1972, Syracuse, New York, USA
4 June 1978, Maryland, USA
26 June 1971, Enterprise, Alabama, USA
11 December 1942, Mobile, Alabama, USA
23 January 1949, Natick, Massachusetts, USA
9 August 1982, Silver Spring, Maryland, USA
May 23, 2017
Without spoiling anything, the last half hour of OCULUS is one of the most stressful, disorienting and hypnotizing divebombs into child's-eye horror I've ever sat through.
January 05, 2015
Oculus, a cleverer-than-average haunted-house movie... speaks to a couple of widespread anxieties-one topical, the other sadly timeless.
January 05, 2015
Director Mike Flanagan (Absentia) apparently has not been paying attention to the rules of making mainstream horror movies in America, and that's probably why Oculus is one of the best American horror movies in years.
January 08, 2016
Flanagan effectively turns his inanimate killer very much into an entity that's just as deadly as anything with a pulse- a remarkable feat- all while cleverly concocting an intriguing and complicated tale that isn't afraid to get a little nasty.
April 15, 2016
"Oculus" plays like it went straight to DVD in 2005, its over-reliance on technology as a plot device and distractingly bad hair making it feel instantly dated.
January 05, 2015
Praised on the festival circuit, it's got what it takes to succeed outside of that rarefied atmosphere.
August 23, 2015
Good script, strong cast, several quality scares... yeah, it's actually a decent haunted mirror movie!
January 05, 2015
What's missing? A sense of the ineffable.
April 19, 2014
"Reaches right through you and chills you to the bone."
January 05, 2015
Oculus is about one adjustment away from being a superior thriller.
June 21, 2016
The tension just keeps building as layers of new knowledge, for both the characters and the audience, are acquired.