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Ouija: Origin of Evil
Set in 1967 Los Angeles, the movie tells the horrific story of a widowed fortune teller who decides to incorporate a Ouija board into her fake routine, but soon the board starts calling to her daughter, and all heck breaks loose.
24 August 1973, Paris, France
9 September 1971, San Antonio, Texas, USA
12 October 1943, Detroit, Michigan, USA
25 June 1960, Pittsburgh, Pennsylvania, USA
9 August 1982, Silver Spring, Maryland, USA
17 February 1971, Vancouver, British Columbia, Canada
24 May 1960, Indianapolis, Indiana, USA
December 04, 2016
While it's not the best showcase for up-and-coming horror director Mike Flanagan (Oculus, Hush), it's not a total waste of his gifts, either.
October 20, 2016
Ouija: Origin of Evil is sadly derivative, totally stupid, routinely cheeseball and ultimately disappointing.
October 20, 2016
Ouija: Origin of Evil is an interesting exercise in watching filmmakers try to mint a franchise out of basically nothing.
December 04, 2016
Incites scares as well as contemplation.
December 05, 2016
A lack of memorable moments or original components makes Ouija: Origin Of Evil feel completely forgettable
December 21, 2016
A sequel far better than anyone probably could have expected after seeing the first installment, Ouija: Origin of Evil is a real treat for horror lovers, and it's one of Flanagan's most well-crafted efforts to date.
October 21, 2016
This is what you came to see, and the numerous gruesome horrors are rendered in enjoyable fashion.
December 05, 2016
An effective, even superior prequel, Ouija: Origin of Evil looks like a sure bet to be a Halloween hit, a
October 21, 2016
This is a prequel superior to its predecessor - we're not bored with board-game ghoulishness yet.
October 20, 2016
Deliciously creepy, thanks largely to a terrific performance by the youngest of its stars.
October 24, 2016
Ouija giddily zips between haunted house thriller, exorcism drama and skillful period piece, all wrapped up in a neat and terrifying little bow.
March 22, 2017
None of those rules apply here. It is literally every man, woman, and child for his- or herself. Which is the refreshing part about this film and, perhaps more importantly, it revives the franchise.