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Cobra - Season 1
Description
This drama series revolves around the destruction in Britain that emerges from the political distress and strikes held against the legislature, that leads Cobra, an association comprises of a gathering of legislators, who join with each other to spare the country from being demolished by any means.
This drama series revolves around the destruction in Britain that emerges from the political distress and strikes held against the legislature, that leads Cobra, an association comprises of a gathering of legislators, who join with each other to spare the country from being demolished by any means.
Actors:
Shaun Maddocks,
James Fisher,
Bradley Wj Miller,
Karina Salieva,
Steven Cree,
Darryl Bradford,
Reuben Johnson,
Angus Wright,
Chelsea Greenwood,
Arabella Arnott,
Hannah Barrie,
...»
Shaun Maddocks
James Fisher
20 April 1972, Walthamstow, London, England, UK
Bradley Wj Miller
Karina Salieva
Steven Cree
Darryl Bradford
Reuben Johnson
Angus Wright
11 November 1964, Washington, District of Columbia, USA
Chelsea Greenwood
Arabella Arnott
Hannah Barrie
Director:
Hans Herbots
Country:
United Kingdom
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January 21, 2020
Nevertheless, even though everything moves swiftly indoors, there's enough cash down the back of the sofa for handsome backdrops of Downing Street, Whitehall, an empty London - and, crucially, for a fine cast.
January 21, 2020
If nothing else, you'd want to tune in to Cobra for its cast.
January 21, 2020
No-one watches disaster thrillers for the dialogue. They are supposed to be cheesy and overblown. What we are here for is the "what if" and the spectacle, and COBRA looks like it will deliver on both fronts.
January 21, 2020
It's not meant to be funny but I laughed so hard I got hiccups.
January 21, 2020
It's fine for the first couple of episodes, which I found I couldn't stop watching because of the sheer torque of any drama that combines this cast with a national disaster, a personal tragedy and a secret fling.
January 21, 2020
As the characters assert themselves, the show exerts a surprisingly tight grip on the viewer's attention, thanks primarily to its gleefully jaundiced portrait of backroom political machinations.
January 21, 2020
Frankly, it's a big relief when the lights finally go out, because Armageddon has never looked as uneventful and lacking in bite.
January 21, 2020
It ought to be well-oiled nonsense. Instead, it creaks and clunks along, its rusty machinery visible at every turn.
January 21, 2020
So this is a narrative about an urgent situation told with no urgency whatsoever.