EPISODE
SEASON
What I Like About You - Season 1
When Holly's father is transferred to Japan, she is sent to live with her big sister Valerie in New York City, turning Valerie's life upside down.
14 June 1982, Chicago, Illinois, USA
12 May 1968, Carlsbad, California, USA
27 April 1949, Santa Monica, California, USA
28 January 1987, Elgin, Illinois, USA
14 September 1964, Boston, Massachusetts, USA
1 May 1985, Chicago, Illinois, USA
9 July 1982, Millinocket, Maine, USA
18 June 1974, Livingston, New Jersey, USA
March 31, 2020
It's a tired, threadbare concept, whose only redeeming qualities are its female leads. But they aren't appealing enough to overcome a cavalcade of stale jokes and predictable physical comedy.
March 31, 2020
Both actresses are charming, and the first episode has some smart dialogue, but it's sabotaged by a glut of physical comedy, most of which doesn't work.
March 31, 2020
[Jennie] Garth looks distressed while crashing into tables and falling over couches. Slapstick works when played to the comic hilt, not coming off like you're actually killing yourself.
March 31, 2020
There is much to like in this slapstick comedy, but it isn't that funny.
March 31, 2020
"What I Like About You" is harmless fluff that won't impress its intended pre-teen audience, but they'll watch anyway.
March 31, 2020
For the moment, the show depends on [Amanda] Bynes' saucy and sharp one-liners, as well as her knack for physical comedy, for the big laughs.
March 31, 2020
The vapid dialogue, stupid situations and inept performances make it highly unlikable.
March 31, 2020
What you get is a cute, though unremarkable sitcom that tween girls will love and their parents will...well, not love, but may tolerate.
March 31, 2020
[Amanda] Bynes makes the leap to primetime with aplomb, and the result should be a solid run for an undemanding series that goes down easy.
March 31, 2020
Perk and pratfalls cannot right a sinking script.
March 31, 2020
Mom and Dad, get out the earplugs.
March 31, 2020
It's harmless enough fun, punched up by bold stabs at slapstick.